FEATURED MOVIE REVIEW: Conclave

By John Mulderig/OSV News

NEW YORK. A serious, even lugubrious, tone and a top-flight cast add heft to the ecclesiastical melodrama “Conclave” (PG, Focus). Yet the film is fundamentally a power-struggle potboiler kept roiling by attention-grabbing plot developments — the last and most significant of which Catholic viewers will likely find uncomfortable at best.

The story centers on Ralph Fiennes’ Cardinal Lawrence. In the wake of the sudden death of a fictional, unnamed pope (Bruno Novelli), it’s Lawrence’s duty — as dean of the college of cardinals — to organize the gathering of the title.

A trio of leading candidates for the papacy quickly emerges as down-to-earth liberal Cardinal Bellini (Stanley Tucci) vies with flamboyant conservative Cardinal Tedesco (Sergio Castellitto) as well as with Africa’s favorite son, the supposedly reactionary Cardinal Adeyemi (Lucian Msamati). A Canadian prelate, Cardinal Tremblay (John Lithgow), is also in the running.

As these favorites jockey for position, complications arise. Rumors swirl of shady behavior on the part of Cardinal Tremblay while an unexpected newcomer, Cardinal Benitez (Carlos Diehz), makes his mysterious presence felt. Benitez, the Archbishop of Kabul, Afghanistan, produces documentation that the late pontiff appointed him to the cardinalate but kept the matter secret.

Neither references to Lawrence’s shaky hold on his faith nor the clay feet several of his colleagues turn out to possess are cause for much alarm. But rival viewpoints within the church are caricatured with a broad brush in director Edward Berger’s adaptation of Robert Harris’ 2016 novel — and the deck is predictably stacked in favor of those who advocate change.

As scripted by Peter Straughan, the movie gets canon law wrong, since promotions such as Benitez’s — traditionally known as nominations “in pectore” (within the chest) — are null and void if not publicly announced during the lifetime of the pope who made them. And Benedict XVI is implicitly slandered in the dialogue via an allusion to a past pontiff who fought for Hitler.

“Conclave” also traffics in sordid secrets of varying plausibility in the lead-up to a climactic revelation that many will find offensively exploitative, others merely loopy. Since this concerns a rare anatomical anomaly rather than any kind of lifestyle choice, its inclusion makes more of a symbolic statement than an ethical one — either acceptable or otherwise.

Still, for all the delicacy and bet-hedging with which the matter is handled, it constitutes a characteristic instance of the way the picture elevates the pieties of the current zeitgeist over eternal truths. Thus Lawrence assures his peers early on that the ultimate sin is certainty.

Not only professors of dogmatic theology but all moviegoers committed to the church’s creeds will, accordingly, want to approach this earnest, visually engaging but manipulative — and sometimes sensationalist — production with caution. The ideological smoke it sends up remains persistently gray.

The film contains murky moral values, plot developments requiring mature discernment and a couple of mild oaths. The OSV News classification is L — limited adult audience, films whose problematic content many adults would find troubling.