FEATURED MOVIE REVIEW: Twisters
By John Mulderig/OSV News
NEW YORK. Back in the early days of the Ford administration, disaster movies were all the rage. A capsized cruise ship, a skyscraper aflame, airplanes imperiled —the genre ran the gamut of mishaps before fading away at the end of the 1970s.
Two decades later, advances in computer capabilities led to something of a revival, one product of which was 1996’s “Twister.” Director Jan de Bont’s film had separated spouses Helen Hunt and Bill Paxton working through their marital tensions while trying to make a breakthrough in early storm warning.
Flash forward nearly 30 years and a standalone sequel, “Twisters” (PG-13, Universal), looms on the horizon. While moviegoers need not take shelter from this long-distance follow-up — which is only loosely connected to its predecessor — neither will it transport them over the rainbow.
The main flaw in the production, helmed by Lee Isaac Chung, is its consistent air of Hollywood phoniness. Its main asset is the mostly appealing antagonism-turns-to-love tale that unfolds amid the rising winds.
Haunted by an experiment during a tornado that went fatally wrong, meteorologist Kate Carter (Daisy Edgar-Jones) has spent the ensuing half-decade practicing her craft from the safety of a desk. She’s reluctantly drawn back to storm chasing, however, when her old friend Javi (Anthony Ramos) suddenly appears on the scene seeking her help.
Javi is out to launch a potentially beneficial new technology. But he’s convinced he can only succeed with the aid of Kate’s expertise and intuition.
Once back on the plains, Kate — who quickly becomes the guiding force of Javi’s team — crosses paths with a squad of apparently reckless thrill seekers led by cocky self-proclaimed “tornado wrangler” Tyler Owens (Glen Powell). Kate and Tyler initially clash, then develop a relationship of mutual respect that eventually deepens into a romance.
Like the burgeoning bond between the principals, the hairbreadth escapes chronicled in screenwriter Mark L. Smith’s script are entirely predictable, the sacrifice of the odd extra notwithstanding. So much so, that viewers may emerge from the Cineplex humming that old standard, “Just in Time.”
“Twisters” does promote compassion for catastrophe victims, making concern for them the moral standard by which its characters are to be judged. And objectionable ingredients are mostly kept out of the mix, so mature adolescents may be given the go-ahead to reap the whirlwind.
Yet human interaction comes in a poor second throughout the proceedings, which are focused instead on the wizardry of special effects. So audience reaction to the picture will largely depend on each patron’s interest in large-scale displays of Mother Nature’s fury.
The film contains some medical gore, several mild oaths, occasional crude language and a couple of crass terms. The OSV News classification is A-III — adults.
(John Mulderig is media reviewer for OSV News. Follow him on Twitter/X @JohnMulderig1.)