FEATURED MOVIE REVIEW: Wicked

By John Mulderig/OSV News

NEW YORK. Considered purely from an artistic viewpoint, the lavish musical “Wicked” (PG, Universal) represents a confluence of the best both Broadway and Hollywood have to offer. On a moral level, however, the film’s content, while largely free of overtly problematic material, nonetheless demands careful assessment.

Directed by Jon M. Chu, the opulent production has a long lineage. It provides an origin story for the Wicked Witch of the West (Cynthia Erivo) — here dubbed Elphaba — who features in L. Frank Baum’s 1900 children’s book “The Wonderful Wizard of Oz,” its classic 1939 film adaptation and the 1995 novel by Gregory Maguire on which the show was based.

Born with green skin, which those around her find repellent, Elphaba grows up an unloved daughter and social outcast. But a turning point comes when Madame Morrible (Michelle Yeoh), a revered professor of sorcery, discovers Elphaba’s magical powers and insists on enrolling her in the university her wheelchair-bound sister Nessarose (Marissa Bode) is attending.

There Elphaba meets — and initially clashes with — her unwillingly assigned roommate, Galinda Upland (Ariana Grande), the future Good Witch of the North. Though the two eventually become best friends, their bond is repeatedly tested.

First, both Elphaba and Galinda fall for their dashing and fun-loving fellow student, Prince Fiyero (Jonathan Bailey). While Fiyero becomes Galinda’s boyfriend, plot developments reveal that he may have more in common with Elphaba, who masks her attraction to him by an outward attitude of disdain for his apparent frivolousness.

A further strain on the pals’ relationship is eventually introduced by their encounter with Baum’s title character (Jeff Goldblum). Although Elphaba has long idolized the Wizard, on closer scrutiny, he may not prove to be what she was expecting.

Winnie Holzman’s script for this first installment in a two-part adaptation incorporates the stage tunes and lyrics of Stephen Schwartz. Moviegoers will not be left wondering at the outstanding success of the source material since excellent, hard-driving performances and soaring musical numbers fully sustain the ambitious two-and-a-half-hour plus running time.

Additionally, Holzman’s screenplay evokes sympathy for the pathos of Elphaba’s plight as she finds herself continually misunderstood and shunned while it garners laughs from Galinda’s vain ditziness. Mercurial Galinda turns out to be an ideal foil for the resolutely upright Elphaba since she is capable of maliciousness but is also often goodhearted.

“Wicked’s” basic message about the need to stand up against prejudice and persecution is obviously congruent with Gospel values. But a scene of marital infidelity as well as the subtle but clear gay sensibility by which the proceedings are occasionally tinged both suggest parental caution.

Sharp-eyed viewers will note, for instance, that the uniforms male extras playing college students wear have trousers but also half of what looks like a skirt. And at least one such background figure is in full-blown drag.

More substantially, a secondary character in Galinda’s entourage, Pfannee (Bowen Yang), is shown to be as susceptible to Fiyero’s appeal as any of the ladies. During a brief conversation with the prince, in fact, he does everything but fan himself to cool down.

The moment passes and we’re back on track. But, along with some bloodless but possibly scary scenes of action, these details point to an appropriate audience of older teens and their elders.

The film contains some stylized mayhem, an adulterous incident and momentary same-sex flirting. The OSV News classification is A-II — adults and adolescents.